wuthering heights movie
Failed to load visualization
Emerald Fennell's "Wuthering Heights": A Divisive, Modern Take on a Classic Tale
The literary world has been turned upside down. Emerald Fennell’s highly anticipated film adaptation of Emily Brontë’s Wuthering Heights has officially hit theaters, and the reaction has been nothing short of a cultural tempest. Starring Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff, the 2026 film promises a visceral, sensual retelling of the iconic Gothic romance. However, as early reviews confirm, this interpretation is proving to be one of the most polarizing cinematic events of the year.
With a script that leans heavily into the darker, more obsessive undertones of the 1847 novel, Fennell aims to capture the raw, chaotic emotion she felt reading the book as a teenager. But does this bold vision succeed, or does it alienate purists and general audiences alike? This article dives deep into the verified news reports, critical reception, and the broader implications of this cinematic lightning rod.
The Narrative: A Storm on the Moors
The core of the controversy lies in Fennell’s distinct directorial style, previously seen in Promising Young Woman and Saltburn, clashing with the brooding atmosphere of Brontë’s masterpiece. The film, which was released in 2026, has generated significant buzz, drawing a traffic volume of 20,000 in online discussions alone. It is not merely a period drama; it is a stylized, aggressive reimagining.
According to reports from the BBC, the film has already "split critics," signaling a deep divide in critical opinion. On one side, viewers praise the film's boldness; on the other, detractors find it lacking the depth of the source material. The central conflict of the film remains the tumultuous, destructive relationship between Heathcliff and Catherine, played with intense chemistry by Robbie and Elordi. However, the execution has sparked a firestorm of debate.
Critical Reception: A Tale of Two Reviews
The verified critical landscape offers a snapshot of a film that refuses to be easily categorized. The consensus is clear: this is not a traditional adaptation.
The Praise: "Heaving" and "Carnal"
Some critics have embraced Fennell’s vision as a triumphant return to form. The Guardian notes that the film is a "heaving, rip-snortingly carnal good time at the cinema," suggesting that Fennell has successfully tapped into the repressed desires that fuel the novel. This perspective views the film as a "gooey, grimy mess" in the best possible way—a sensory experience that prioritizes emotional intensity over historical accuracy.
Proponents argue that by stripping away some of the novel’s dense narrative layers, Fennell allows the central romance to breathe and burn. The film is described as "absorbing," pulling the viewer into the chaotic orbit of the two lovers.
The Criticism: "Astonishingly Bad" and "Shallow"
Conversely, other major outlets have been far less forgiving. The Irish Times delivered a scathing review, comparing the film unfavorably to 120 Days of Sodom and labeling it a "Carry on Heathcliff." This critique suggests the film relies too heavily on shock value and camp, losing the tragic weight of the original story.
Similarly, The Guardian’s main review calls the film "too hot, too greedy," warning that it guarantees "bad dreams in the night." The core complaint from this side of the aisle is that the adaptation is "bold but shallow." Critics argue that while the visuals are striking, the emotional resonance of Brontë’s characters has been sacrificed for style. The Rotten Tomatoes score currently hovers in a range that reflects this split, with some critics praising the "fearless" direction while others decry it as "stylistically bold for no reason."
Contextual Background: The Weight of Expectation
To understand the divisiveness of the 2026 film, one must look at the history of adapting Wuthering Heights. Emily Brontë’s novel has been interpreted on screen numerous times, from the classic 1939 version starring Laurence Olivier to the atmospheric 1992 film with Juliette Binoche. Each generation finds a new way to interpret the bleak, wind-swept romance.
Fennell’s Vision vs. Literary Tradition
Emerald Fennell has stated publicly that her goal was to capture how the book made her feel when she first read it at age 14. This is a crucial distinction. Rather than a "faithful" academic exercise, Fennell’s film is an emotional interpretation. The inclusion of quotation marks around the title in promotional materials (e.g., "Wuthering Heights") signals a self-aware, perhaps deconstructed approach to the source material.
The casting of Margot Robbie and Jacob Elordi—two of Hollywood’s most bankable and aesthetically modern stars—further signals a desire to bring the story to a contemporary audience. Their chemistry is cited as a highlight even by some negative reviewers, who admit the pair creates a palpable, if disturbing, energy on screen. The supporting cast, including Hong Chau, Alison Oliver, and Ewan Mitchell, adds depth, though the focus remains squarely on the central duo.
Immediate Effects: A Box Office and Cultural Gamble
The release of Wuthering Heights has immediate implications for the film industry and pop culture.
The "Divisive" Box Office
Historically, films branded as "divisive" often struggle to find a massive mainstream audience but can cultivate a dedicated cult following. The film’s marketing leans into the controversy, framing the "bad dreams" and "nightmares" mentioned in reviews as a selling point. For the box office, this creates a high-risk, high-reward scenario. Will audiences pay to see a movie that critics call "scary and violent"? The answer lies in the appeal of the stars and the curiosity of the audience.
Social Media Discourse
The film has spawned a massive wave of social media discourse. Online, debates rage regarding the "selfish" and "cruel" nature of the protagonists. Margot Robbie and Jacob Elordi have defended their characters, arguing that the inherent toxicity of Cathy and Heathcliff is precisely what makes the story "inherently romantic" to a modern audience fascinated with "dark romance." This aligns with current trends in literature and film, where morally grey characters are often celebrated over traditional heroes.
Future Outlook: The Legacy of the 2026 Adaptation
Where does this leave Wuthering Heights? The film’s legacy will likely be defined by its refusal to play it safe.
A New Template for Classics?
If the film succeeds commercially, it may encourage studios to take similar risks with public domain classics. We may see a wave of "bold but shallow" or "stylized" adaptations that prioritize directorial voice over strict fidelity to the text. Fennell’s approach—prioritizing the feeling of the book over the plot—could become a new template for literary adaptations.
Long-Term Critical Reassessment
Often, films that are initially panned or polarizing are reassessed years later. The "gothic" and "messy" elements criticized today might be viewed as visionary in the future. The film has already solidified its place as 2026’s most discussed movie, guaranteeing its presence in film studies and cultural critiques for years to come.
Verified News Sources and Accountability
As we analyze this cultural moment, it is vital to rely on verified reporting. The BBC, The Guardian, and The Irish Times provide the backbone of our understanding of the critical landscape. While supplementary research from Wikipedia and IMDb offers helpful context regarding cast and plot, the primary reactions stem from these established journalistic outlets. As the film moves into wider release, these sources will continue to track its performance and public reception.
Conclusion: To Watch or Not to Watch?
Emerald Fennell’s Wuthering Heights is not a movie for everyone. It is a "fever dream," a "rip-snortingly carnal" spectacle, and a "shallow" interpretation all at once, depending on who you ask. For fans of the novel looking for a faithful retelling, this may be a disappointment. For those seeking a visceral, visually stunning, and emotionally chaotic experience, it may be a masterpiece.
Ultimately, the film succeeds in one undeniable metric: it has sparked conversation. In an era of safe sequels and algorithmic content, a movie this messy, ambitious, and divisive is a rare thing indeed. Whether it is viewed as a " Carry on Heathcliff" or a profound tragedy, 2026’s Wuthering Heights demands to be seen, debated, and reckoned with.
Related News
More References
Wuthering Heights is 2026's most divisive movie as it's branded "astonishingly bad" and "absorbing"
"Wuthering Heights, the writer-director Emerald Fennell's new adaptation of Emily Brontë's groundbreaking Gothic novel, is her best film to date - a heaving, rip-snortingly carnal good time at the cinema. It is also a gooey, grimy mess."
'Wuthering Heights' is scary and violent - and the best romance ever?
Margot Robbie and Jacob Elordi believe that Cathy and Heathcliff are "selfish" and "cruel." And yet, "Wuthering Heights" is "inherently romantic."
Movie review: Emerald Fennell's 'Wuthering Heights' is a bold but shallow take on Brontë's classic
Filmmaker Emerald Fennell has said she wanted to make a film that captured how she felt when she read it at 14.
'Wuthering Heights': What the Critics Are Saying
As of Monday evening, Wuthering Heights had a score of 71 percent from 65 reviews on Rotten Tomatoes, and clocked in at 60 percent on Metacritic from 31 reviews. The cast also includes Hong Chau, Alison Oliver, Shazad Latif, Martin Clunes, Owen Cooper, Charlotte Mellington, Ewan Mitchell and Amy Morgan.
'Wuthering Heights' Rotten Tomatoes Score Solidifies As Reviews Pour In
Wuthering Heights now has a Rotten Tomatoes score, and it may indicate whether or not you should see it this weekend.